“Vito and his Freakers
were an acid-drenched extended family of brain-damaged cohabitants.” And
that, in an incredibly self-indulgent 489-page tome, is the only mention you
will find of “Vito and his Freakers” – despite the fact that, by just
about all other accounts, the group dismissed as “brain-damaged
cohabitants” played a key role in the early success of Crosby’s band.
And the early success of Arthur Lee’s band. And the early success of Frank
Zappa’s band. And the early success of Jim Morrison’s band. But
especially in the early success of David Crosby’s band.
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http://www.united-mutations.com/p/vito_paulekas.htm
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Sunset Strip clubs when The Byrds played: “We had them all. We had Jack Nicholson dancing, we had Peter Fonda dancing with Odetta, we had Vito and his Freakers.”
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“The Byrds were closely associated with Vito and the Freaks: Vito Paulekas, his wife Zsou and Karl Franzoni, the leaders of a group of about 35 dancers whose antics enlivened the Byrds early gigs.”
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In Waiting for the Sun, Barney Hoskyns writes that the early success of The Byrds and other bands was due in no small part to “the roving troupe of self-styled ‘freaks’ led by ancient beatnik Vito Paulekas and his trusty, lusty sidekick Carl Franzoni.”
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Alban “Snoopy” Pfisterer, former drummer and keyboardist for the band Love, went further still, claiming that Vito actually “got the Byrds together, as I remember – they did a lot of rehearsing at his pad.”
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The Byrds did indeed utilize Vito’s ‘pad’ as a rehearsal studio, as did Arthur Lee’s band
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the Freaks drew the crowds into the clubs to see the fledgling bands perform.
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“The first hippies in Hollywood, perhaps the first hippies anywhere, were Vito, his wife Zsou, Captain Fuck and their group of about thirty-five dancers. Calling themselves Freaks, they lived a semi-communal life and engaged in sex orgies and free-form dancing whenever they could.”
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they “started the whole hippie thing: Vito, Karl, Szou, Beatle Bob, Bryan and me.”
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They were let in for free, because they were these quintessential hippies, which was great for tourists.”
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Vito Paulekas, whose full name is said to have been Vitautus Alphonsus Paulekas. Born the son of a Lithuanian sausage-maker circa 1912, Vito hailed from Lowell, Massachusetts. From a young age, he developed a habit of running afoul of the law.
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In 1938, he was convicted of armed robbery and handed a 25-year sentence
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1942, however, just four years later, he had been released into the custody, so to speak, of the US Merchant Marine
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1946, Vito arrived in Los Angeles.
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by the early 1960s, Vito was ensconced in an unassuming building at the corner of Laurel Avenue and Beverly Boulevard, just below the mouth of Laurel Canyon (and very near Jay Sebring’s hair salon).
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his young wife Szou’s clothing boutique, which has been credited by some of those making the scene in those days with being the very first to introduce ‘hippie’ fashions
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“Vito Clay” studio, where, according to Miles and various others, Paulekas “made a living of sorts by giving clay modeling lessons to Beverly Hills matrons who found the atmosphere in his studio exciting.”
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Vito’s reportedly insatiable sexual appetite and John Holmesian physique.
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Vito’s students also apparently included such Hollywood luminaries as Jonathon Winters, Mickey Rooney and Steve Allen.
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